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Alix Alvarez Engineer, Producer, DJ
 After finishing his studies at IAR in the summer of 1999, Alix Alvarez began working at MAW Studios (formerly known as Bass Hit), owned by world renowned re-mixers Louie Vega and Kenny "Dope" Gonzalez. Learning from seasoned professionals, he became an increasingly competent engineer and producer and, while there, met many great artists including George Benson, Roy Ayers & Jody Watley. Alix saved enough to buy his own recording gear and started producing and remixing for artists such as Amy Winehouse, Jully Black (signed to Universal Records), and Miguel Migs. He then started an independent dance record label with partner Mr. V. called SOLE Channel Music, which he describes as “more dance music oriented but with an urban/hip hop feel.” The success of his label and remixes has helped him to tour the world DJing, and air a radio show, ‘The Chill Factor,’ every Thursday on XM radio channel 80 (The Move). Alix remembers IAR and how it helped him, “IAR’s Recording Workshop class, where we were in the studio and learned about tracking and recording was especially cool. IAR prepares you for what you encounter in a professional recording studio setting.” Alix’s advice to current students is, “When it comes to sound and engineering there are no rules, just guidelines. What you do with those guidelines is totally dependent on your personal tastes. All music and sound is subjective. Really use your ears. Learn to train them. Best of luck. Make some noise!” For more information on Alix visit myspace.com/alixalvarez.
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Georgia Aprile Gizmo Post
 After only a few months of graduating from IAR in August 2005, Georgia Aprile now edits video, audio and more for Gizmo Post. The audio and video and post production house, located in New York City, specializes in film, television, and new media.
Georgia shares what she has been up to, “Here at Gizmo, we do everything from authoring DVDs, commentaries and voiceovers for films, to making television commercials and creating graphics and audiobooks. Currently, we are doing all of the commentaries on Federico Fellini’s films and commentaries with the directors of Sin City (Robert Rodriguez) and Dazed and Confused (Richard Linklater). We’re also putting together the “South Park” 10th Anniversary Set.”
Georgia believes IAR taught her not just about the equipment used in the studio but about the whole audio business. Before coming to IAR, she was a roadie and had to know how to move equipment, but that was where her knowledge ended. After attending IAR, she understood more facets of the audio industry, and not only what she was doing but why. “I can troubleshoot any equipment problem without going into panic mode. IAR taught me how everything works together, so I can figure out what’s wrong and be back up and running quickly.”
Georgia goes to a lot of shows and enjoys them even more because she understands the ‘behind the scenes’ to the music, “I pay closer attention to the gear used, especially the front-of-house equipment like the live mixing console and the sound system.” Her advice to current students is, “Don’t miss classes. Don’t even be late! The information you’ll be exposed to is essential, especially when you first start working. Pay attention to what your mentors tell you. They will teach you important things you may not realize you have to know.”
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Neil Aviles Highline Ballroom
 Neil Aviles graduated IAR in August 2007 and, through the school’s Career Services Department, became an intern at the New York City club Highline Ballroom. There he found a mentor in engineer Peter Auslan, who is also the production manager at another popular Manhattan venue, the Annex. Neil was promoted to stage technician at the Highline Ballroom and currently still interns at the Annex. At both locations, he assists in load-in and load-out and helps with audio during shows. He has earned his certification on the venue’s Yamaha soundboard to run sound for live shows.
At the Highline Ballroom, Neil has worked on a range of productions for major artists (Stevie Wonder, Santana, Coheed and Cambria, Queen Latifah) as well as regional and local bands. Through the positions and experiences he has had, Neil has developed friends and contacts within the industry and has built a positive reputation. He stresses the importance of working very hard as an intern and listening and responding to the people around him. His mentor is always telling him to ‘work smart,’ meaning to think about his tasks and to complete them correctly, which helps greatly in the fast-paced environment of live sound. Neil values the education he received and the teachers at IAR like Zack Goldberg for Post Production Audio, Lisa Moyer for Ear Training and Acoustics, and Dan Grigsby for Recording Workshop. His advice for current students is: “Make sure you want this because, if you are not tested in IAR, you will be tested in the real world. So think long and hard, take the classes, talk to the teachers, and be confident about the decisions you make.”
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Mike Benavitch Live Sound Engineer
 Mike works in the high profile world of live sound reinforcement with high profile entertainers: P. Diddy, Shaba Ranks, Zack Wilde, Craig Mack, Mary J. Blige, and The Duprees. But for Mike, big name clients has not meant forgetting the fundamentals. His tip for aspiring engineers and producers: "Know your signal flow."
His equipment list includes the simple and the sophisticated, such as Crest 32x8 and Mackie 1604 consoles, Azure 200 processors, and Shure wireless microphone systems.
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Mark Berry Chairman and CEO - Attack Media Group
 It is difficult to find a more impressive audio resume than that of Mark Berry, who was part of IAR’s third graduating class in 1972. At IAR, Mark did his studio workshops at Vanguard Studios with then faculty member John Woram (who many in the industry believe wrote the best book on recording studio equipment of the era), and did his class work with school founders Irv Diehl and Al Grundy.
After graduation, Mark traveled to AIR Studios in London to work under the tutelage of Sir George Martin, legendary producer of The Beatles. After two years, Mark moved back to the United States, freelanced, and started at Vanguard Records, working his way up to Staff Producer and A&R Director. He left Vanguard when it was sold to the Welk Music Group, and successfully freelanced as a re-mixer and producer for almost a decade. In 1996, he relocated to Toronto, Cananda, where he met his wife and started Attack Records, owned by Attack Media Group.
Today, Mark is Chairman and CEO of Attack Media Group, whose mission is to target potential acquisitions in the music, film, and television industries as well as in children's and extreme sports. Mark has the responsibility of developing and executing the company's overall strategy and vision. This includes controlling worldwide licensing and broadcast rights to all Attack Filmworks and Overdrive X-treme visual/audio content and worldwide licensing deals in Asia, Germany, Austria, and Switzerland, Benelux Customs Union, and the United Kingdom. AMG includes Attack Records, Kidz Attack Entertainment, AttackTrax Music Supervision, Attackin' Tunes Music Publishing, Attack Filmworks, Attack TV, Graffiti TV, Overdrive Xtreme Sports, Totally Useless T-Shirts, and Deevel Promotion & Marketing. He still finds time and enjoys producing three to four CDs a year.
Mark's growth and success occurred fairly quickly as the first record he received credit on was "You’re So Vain" by Carly Simon, a #1 hit on the Billboard Hot 100 for three weeks in 1973. His production, engineering, and mixing credits also include recording artists such as David Bowie, Duran Duran, Billy Idol, Burton Cummings, and Yes. To learn more about Mark Berry, visit his website at www.markberry.com.
With all his great achievements, Mark still retains the perspective that "while the business has changed so much over the years, for me it's still all about the songs, making them sound good and delivering great performances."
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Carter Bostic Live Sound Engineer
 When Prince, The Dells and Tom Petty convened for the Rock and Roll Hall of Fame induction ceremonies in 2004, Carter Bostic was on the scene. A professional stagehand and freelance live sound engineer, Carter has worked in the entertainment industry since graduating from IAR in 1997. He also handled live sound for Microsoft's promotional concert for MSN featuring Lenny Kravitz, The Ohio Players and Parliament Funkadelic.
In 2001, Cater was accepted into the apprenticeship program of the International Association of Stage and Theater Engineers (I.A.S.T.E.). He also worked in the Tribeca Film Festival with Black Eyed Peas, Van Morrison and Steve Winwood.
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Melissa Conley Live Sound Professional
 "Get involved:" that's Melissa Conley's secret to building a successful career as a live sound freelance professional. And, after building a client list that includes Dave Mason, Bruce Springsteen, The Uptown Horns, Vendetta Red, Socialburn, Jackson Browne, The Bacon Brothers and A New Found Glory, she advises IAR students to do the same.
“Get your name out there by getting involved in as many areas as you can,” Melissa says. “The more areas you have experience in, the easier it will be to find work.” When she graduated from IAR in 2000, she seemed destined for a broad base of knowledge, with interests in post production, live sound, stage lighting, and general technical and stagehand work. The recipe has all come together.
Though fluent in most live sound gear. Melissa's favorites are the Yamaha 01V digital mixing board and the Allen & Heath Mixwiz & GL Series analog mixing boards.
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Shania D AudioTwurk Productions
 Since graduating from IAR in 1999, Shania D has been building her career as a producer, emcee, singer and DJ. Her responsibilities require constant focus both as an artist and performer, and also as a businessperson. Shania D operates a music production company called AudioTwurk Productions and licenses her music to television and film. Her most recent licensing projects were a public service announcement for the Barack Obama presidential campaign and a commercial for greenforall.org, an organization dedicated to creating a healthy environment and decreasing poverty. As an artist, Shania D has toured all over the world with many popular performers, including Umar Bin Hussan of the Last Poets, MC Lyte, Dead Prez, and Vikter Duplaix. She is currently working on her debut album being recorded in the same studio used by Destiny’s Child, Jessica Simpson, Gwen Stefani and Pink. Shania D is working on side projects with the group 3-D and The Guestlist and is featured on The SIS-Tem’s “Female Perspective” mixtape.
It has almost been a decade since she graduated from IAR but Shania D still recalls the benefits of her education: “IAR gave me the confidence to pursue my career and I feel that I had a chance to be successful in my musical endeavors. I’d tell students never to give up and always be true to your word. There are always opportunities but you must meet them with preparation.” For more information on Shania D, check her out at shaniad.net and myspace.com/shaniad.
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Kate Dohaney Siblings Music, Inc.
 Kate graduated from IAR in June 2007. During school, she had been bartending at Parkside Lounge in New York City. She started running live sound for the venue’s bands each night and developed a rapport with many of the performers. She freelanced working live sound for them at different venues, and continued to create a network of contacts.
Meanwhile, she was interning as much as she could at Monster Island studio and then at 38Greene post-production house and at Sony, for Epic Records. 38Greene also shares its location space with a production studio called Siblings Music, Inc. It was at Epic that she saw how the music industry worked on a grand scale and realized that she wanted to work on the business side of the industry. To stay creative, and for enjoyment, she started a band with some co-workers at 38Greene. While practicing in the studio one night, one of the owners of Siblings Music, world famous composer Mario Grigorov, heard them playing and wanted to hear more. That led to a friendship and a respect for Kate’s work; later he and co-owner Marcus Smith offered her a full-time producer position.
Siblings Music does original music for film, TV, and ads. As a producer, Kate meets with their clients to determine what type of music they are looking for and then picks with whom to work from a global list of composers. She briefs the composer on the work, including the feel of it and possible instruments to use. The process goes back and forth between the client, Kate, and the composer until it's finished. The company is also starting a record label called Siblings Rivalry, and is currently searching for talent.
"It’s what you choose to do with your education that means something. Anyone can go to school and get the little piece of paper that says you passed, but that doesn’t mean anything if you’re not hungry and willing to do what it takes to achieve your goals."
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Alicyn Frenchman Advanced AV Systems Integration
 Aliycyn Frenchman graduated from IAR 1997. Since completing the program,She has been quite busy. In February of 1998, Alicyn spent four weeks in Japan as an assistant music supervisor for the CBS broadcast of the Nagano Olympics.
After CBS, she spent the next 8 years kicking around the pro-audio and pro-AV industry in a variety of positions including stagehand, audio engineer, project manager for audio visual installations and ultimately becoming a lead estimator for audio visual companies in New York.
In June 2006, her family moved south to the Philadelphia area where she currently works as a Sales Engineer for Advanced Audio Visual in West Chester, Pennsylvania. Last August, Ishe achieved CTS certification from InfoComm International as a certified technology specialist. InfoComm is the organization that sets standards for the professional audio-visual industry.
At Advanced Audio Visual, Alicyn provides engineering support for their sales staff. She assists in designing audio-visual systems and estimates labor and materials, including mounting devices, installed infrastructure cabling and power requirements. She also uses her experience and expertise in bid estimating for large-scale audios-visual installs including blueprint interpretation and drawing take-offs. These types of projects include corporate, government and education.
“IAR gave me the basis for understanding how audio systems work both in the recording studio and live sound. It also gave me the basis on how electronics work. Once you understand how signal-flow works, it doesn’t matter if you are in the studio or working on a concert or even installing a sound system in a boardroom or classroom. From there, it’s up to you to hook up with good sound and video people to help you with the rest.”
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Chris Gehringer Sterling Sound
 Where is the turning point on the way to mastering an album that sells 6 million copies in the U.S. and 12 million worldwide? Chris says it was one day in high school when he realized that knowing how to operate a P.A. system was more important to a rock band than long hair and tattoos.
Chris has come a long way. Currently at Sterling Sound where he mastered the worldwide phenomenon Shaggy's Hot Shot, Chris has also worked with Nas, Fat Joe, Dru Hill, LL Cool J and Musiq.
For Chris, IAR turned a hobby into a career. After graduating, he worked at Trutone Records in New Jersey before moving to Frankford-Wayne, where he met Tom Coyne and Herb Powers. When Coyne and Powers went to the Hit Factory in 1988, Chris went with them. There, Chris developed his specialty in hip-hop and R&B, working on landmark releases by Naughty By Nature, Mobb Deep, Wu Tang Clan and PM Dawn.
Today it doesn't matter how long Chris's hair is-he has found his niche in the music scene.
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Larry Harlow Latin Music Legend
 Larry Harlow, an icon in Latin and Afro-Cuban music, is an IAR graduate from the 1970s. At a young age he excelled at the oboe, violin, flute, and the instrument he later became associated with, the piano. He graduated from the prestigious New York High School of Art and became fascinated with the musical influences of the Latin community in NYC. Harlow took a two-year trip to Cuba and studied Afro-Cuban music and culture and developed an innovative blend of Afro-Cuban and Jazz styles of piano playing. His new style was reflected by the music of Orquesta Harlow, a group he founded that was signed to the famous Latin record label Fania and helped spread his new music across the world. Harlow has also produced over 106 albums for various artists and over 50 albums for his personal projects.
During the 1970’s, Larry studied audio engineering at the Institute of Audio Research to learn and apply the techniques of recording music to his already illustrious career. During that same time, he was asked to become an executive member of the National Academy of Recording Arts and Sciences (NARAS), the committee responsible for awarding Grammy Awards. He accepted the offer and pioneered the establishment of the first Latin Music Grammy. Today, Harlow continues to perform worldwide with his new Latin Legends Band accompanied by guest artists including Adalberto Sanitago, Ismael Miranda and Junior Gonzalez. For more information on Larry Harlow, visit larryharlow.com.
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Stephen Joseph Engineer - EastSide Sound
 Stephen Joseph graduated from IAR two years ago and was recently promoted to an engineering position at EastSide Sound recording studios in New York City. He has already worked with some of the biggest names in the music business. He works closely with producer/engineer Fran Cathcart, and is in charge of setting up the sessions, recording, mixing and editing.
Stephen engineered the album, Strength, for trumpeter Roy Hargrove and his group, The RH Factor, which was nominated for a Grammy for Best Contemporary Jazz Album. Stephen tells of a time he spent working with Mariah Carey; “She came for a day with producer Randy Jackson to EastSide Sound to lay down the three-piece horn section and create the beat for one track of her upcoming album. She was an extremely nice person and knew a lot about the entire studio process.”
In addition to the Carey sessions, Stephen says, “We’re going to be working on a tribute album for guitarist Les Paul’s 90th birthday. The man is a legend for his development of the electric guitar and multi-track recording technology.”
Stephen’s first internship came out of a conversation he had with one of his IAR instructors, Rick van Benschoten, “I was usually the first one in class, and I started chatting with him. We were discussing our favorite bands, and I mentioned that mine was the Black Crowes. He told me that he was recently in contact with the Black Crowes guitarist Rich Robinson, who had opened his own personal studio in midtown called Keyhole Productions. Within a week I was interning there for one of my heroes.”
Stephen’s advice for current students is to get along with everyone, and be willing to do whatever it takes to get to the next level. Be open-minded and learn how to do everything in the studio.
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John Klett President & Engineer
 John Klett graduated from IAR in 1976 and over his 30 plus years in the industry built a successful career as an engineer, technician and business owner. “IAR gave me a good start and I met some good people in my class: Mark Terry who went off and had a good run at New England Digital and then as President of Harmon Pro and Steve Tillisch did quite well as an engineer at Capricorn Records.”
John started out as a freelance engineer and then went to All Platinum Studios as an Assistant Recording Engineer. He was hired into technical support and installation for the North East office of Trident Audio, working intimately with audio consoles and automation systems. His experience grew and he began managing hundreds of audio and video installation projects across the United States for companies such as Martin Audio Video, Audio Kinetics and AMS Neve. He is currently the Technical Director for SevenSeas Studio and SevenSeas Media Management which is building a music-centric multimedia production facility in Chelsea, NYC. He is also the Owner/President of Tech Mecca Inc. and Singularity Enterprises Inc. in NY. Both companies provide audio engineering and technical consulting and design services for a range of audio industry companies, including recording studios, post-production facilities, and audio equipment manufacturers. His advice for current students is: “Be willing to work long hours AND you have to be good all the time. There are fifty more just like you standing outside the door.” For more information on John and his companies visit technicalaudio.com.
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Garrison Leykam Producer - CPTV
 Garrison Leykam was one of IAR’s first graduates in 1974. Garrison’s active audio career spans over three decades and includes many facets of the music industry. Currently, he is the Host and Co-Producer of the DINERS TV series for CPTV (Connecticut Public Television). CPTV is the sponsor of many national documentaries as well as children’s programming and received 18 Emmy nominations last year, the most of any Connecticut television station. Prior to CPTV, Garrison worked as a Producer and Director of Recording Studio Operations for London Records, Inc. He has produced bands such as Greezy Wheels, chart-topping singer-songwriter Leslie Pearl and legendary jazz pianist Erroll Garner. As Director of Recording Studio Operations he oversaw mastering albums by The Rolling Stones, The Moody Blues, Al Green, Van Morrison, Dave Edmunds, Thin Lizzy, ZZ Top and many other super groups and artists.
Garrison is also a musician and has performed at many of New York City’s popular clubs. After over thirty years, Garrison implements the tools and education he gained at IAR. “IAR provided me with ‘sound’ recording and mixing techniques and provided me with ideas regarding arranging and producing which I continue to build on.” His advice for current students is: “Learn everything you can in the IAR courses and curriculum. These are fundamentals that will be useful to you throughout your career. When you have these, you are much more likely to trust your creative instincts and explore unique channels for your talents that will help you produce your best work. IAR grads truly stand out in the industry.” For more information on Garrison visit DinersTVshow.com.
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Scott McIntosh Headroom Digital Audio
 After graduating from IAR, Scott McIntosh immediately starting working at HSR, a post-production house in New York, for about 3 years and then I moved back to my hometown Detroit, where I started working at Ron Rose Productions. Scott then moved back to the New York and started working at another post facility, McHale Barone where he remained for the next seven years. This is where Scott learned most how to work and deal with clients and became more of a professional. From there, Scott moved on to Headroom Digital Audio, a newer post-production facility in New York.
At Headroom, Scott is mixer, sound designer and he also does a lot of radio commercials, as well as a good amount of television spots as well. According to Scott, Radio is his forte. He has have handled projects for major advertising agencies including BBDO, Publicis, Hill Holiday, JWT, and Lowe Worldwide. Scott has also mixed commercials and other projects for Verizon Wireless, Canadian Club, Heineken, Cingular, Lipton Iced Tea, Saab and Malibu Rum. “I feel IAR really helped me to get that first job at HSR. Try to humble yourself before you take that first intern/PA/asst. gig. Be confident, but not cocky. I’ve seen so many guys/gals come in the door & think there going to have a “seat” in 6 months because they’ve done some project for their friends college film or they make beats & think they can do it all. It’s a process, sit back watch, listen & learn. You’re going to have to do some hard work. Take it in stride & keep your eye & the prize.”
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Suzy Mucciarone Maryland Sound International
 Shortly after graduating from IAR Suzy Mucciarone began working for a live sound and touring company in Baltimore, Maryland called MSI (Maryland Sound International). Doing so has found Suzy working in quite a varied field, from local performances (Roberta Flack, Rachelle Ferell, Jewel, Bobby “Blue” Bland, Frank Sinatra Jr. and Little Feet), to large corporate shows, such as formal events at the White House, The 2005 Presidential Inauguration, The Times Square New Years Eve Celebrations and concerts including U2, Alicia Keys, Bruce Springsteen, BB King and Michael McDonald. Being on the road is what Suzy loves. She has been on the road with Hall & Oats, first as their stage technician and monitor engineer for the support acts, and now as their systems engineer and front of house (FOH) technician for the support acts. Suzy oversees a wide range of things, from tour prepping the gear at the shop and maintaining it on the road. “Before attending IAR, I was a Production Engineer for a Top 40/AC Radio Station. I quickly learned that while “hands-on” learning is essential, not having a solid educational foundation was quite frustrating and ultimately, a disadvantage. Trial and error is popular, but often costly and will not yield the result you want. IAR gave me my solid foundation. By fully understanding how audio generates, moves, flows, and how sound can be affected and manipulated, I learned not only how to get the best sound from a system and environment, but more importantly, how to avoid making costly mistakes. In touring and the live sound industry knowing how to do your job extremely well is half of your job. Knowing what to do when things go wrong, shows your true value. When problem solving, understanding everything from grounding to signal flow, allows you to engineer a clean and great sounding system, because no matter what, the show starts at 8!”
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Michael Napoli West West Side Studios
 Michael Napoli graduated from IAR in November 2006 and began an internship at Sony Music Studios in New York City. In June 2007, he was hired by West West Side Studios in New Windsor, NY as a staff assistant; he continues to work there now. West West Side Music has been a mastering studio for the recording industry for 15 years. Their audio mastering services cater to major record labels with fast-paced production demands as well as indie labels and artists with budget considerations. As a staff assistant, Michael has the wonderful opportunity to assist the engineers on studio projects from around the world. He helps maintain client relations and is also contributing mightily to West West Side’s design and construction of a surround sound studio and an analog mixing room. He continues to develop his project studio experience and produces and mixes artists’ music.
"I received a great education from the faculty at IAR who have been in the music industry, and it helped me to succeed in my current position. You need to take constructive criticism seriously and learn from it. Also, it's important to build relationships with those around you and always ask questions."
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Shawn O’Connor Music Instructor
 Shortly before graduating in June 07, Shawn O’Connor launched a career strategy to immerse himself in many different facets of the audio industry. For starters, Shawn has been recording and mixing guitars and comping vocals for Larry Dvoskin, a freelance producer and engineer. Comping is the process of lifting vocal segments from multiple, duplicate tracks and combining them into one final track. Within a short while, Shawn networked himself to obtaining gigs at Media Recording Studios and at PLP Music, working with Steve Young and assisting with vocal comps and production for the artist Sunny. Through a relationship built with engineer George Marshall, Shawn worked the soundboard and EQ for the summer concert series at Jones Beach in New York.
In September, Shawn then started a teaching position with Jellybean Junction, a regional child music education program, and is now the Head Music Instructor for the New York area. He continues to work as an Assistant Engineer for Larry Dvoskin and is the Sound Technician for the band One Day More.
IAR has helped Shawn in his positions since graduating, “I’m always using what I learned at IAR, during sessions or at live events or even the theory of teaching effectively.” Shawn’s busy schedule and variety of experiences continue to support his rising career, and advice for current IAR students is to: “Listen to every single word your teachers say and write it down. You get out of it what you put into it. Stay in all your classes the whole time; you'd be surprised what you'll miss if you don’t. And don't be afraid to ask questions; I bet half the class wants to ask the same thing. Finally, make friends and connections.”
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Mike Parrilli Engineer
 Mike Parrilli graduated from IAR in June 2007 and shortly thereafter started an internship at Headgear Studios in Williamsburg, Brooklyn. He has assisted the engineers and owners during recording sessions, learning techniques and tricks from them. He was lucky to be a part of many great sessions including Lee Perry with Andrew WK, the Soundscapes, Pela, and the Yeah Yeah Yeahs. In August, Mike also started at Professional Sound Services, which provides audio equipment sales, service, and rental for film and video productions in New York. While in the sales and service departments, he learned about different manufacturers’ equipment and how to build any type of custom cable. It was a unique experience that helps in other musical facets of his life, including writing and recording his own music, experimenting with live instruments such as cello, guitar, and mandolin with synthesizers, using samplings, and running Propellerhead's Reason program. Just recently, Mike engineered his first band at Hypersnake Studios in New Jersey. When reflecting back on his education at IAR he states, "It solidified my foundation and helped me feel confident in my ability to work with sound and set me in a direction which I desperately needed at the time." His advice to current students is: "Learn as much as you possibly can while attending. Really soak it all in. Take notes on everything including teachers' stories and experiences, which you can't get from a book."
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Fred Penny Michael Andrews AV Services
 As a young musician, Fred found himself recording in some legendary studios such as Bearsville, Unique Recording and Waterfront Studios. But these sessions piqued an interest in what happened on the other side of the glass, and Fred decided to attend IAR.
"By attending IAR, I could develop a strong technical background that would reinforce my experience in the recording industry," Fred says.
The plan worked. Upon graduating in 1996, Fred interned at Aurasonic Remote Recording doing live radio broadcasts throughout the northeast United States. During this time he worked with chart-topping bands such as the Verve Pipe and Metallica.
By 2000, after a stint with Jason N.Y.C. doing FOH mixing and designing, building and managing a studio for Cortex Productions, Fred was Director of Inventory and Repairs for Michael Andrews Audio Visual Services.
Fred manages the integrity of AV equipment for rental and staging of corporate events and live sound reinforcement for concerts. He also works as a field engineer. In addition, Fred is building a project studio for the development of music artists and their demos for presentation to major record labels.
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David Rivera Pirate New York
 Dave Rivera graduated from IAR in 2005. Two weeks after graduating, he started working as a Mix Engineer at the post-production house Pirate New York, formerly known as McHale Barone. Dave’s job responsibilities include recording simple voiceovers for Web content, Radio and TV recordings and mixes, recording musicians, and working with composers on demo pitches to various ad agencies. He also had the pleasure of working on the latest Zap Mama album. Last but not least, Dave gets to work on his own projects after hours at the studio. He has kept in contact with other IAR alumni and collaborated with them when there was an opportunity to do so.
Dave remembers being an extremely eager student at IAR. The insight and perspective the instructors provided him were greatly important, and he is now putting the topics taught into practical use. “The Pro Tools courses were extremely valuable, and hey, if you think soldering wires will never come in handy, think again. My favorite was the recording workshop. It gave me the feeling of a real recording environment. That’s important to feel, because there are definitely tense times when the “tape” is rolling! You’ve got to keep your cool and stay focused.” His advice for current students is: “Pay Attention! Not just to the content of the classes but the stories of your instructors…they’re all true! Ask a lot of questions. Build a network amongst your fellow classmates; you never know if they can help you with work in the future. Have a plan and stick to it.”
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Errol Everton Ross Engineer
 IAR alum Errol Everton Ross, who now resides in Miami, FL, recently contacted us to let us know what he's been up to since graduating!
Errol grew up in Jamaica and came to NYC to attend IAR. He was one of the first recording engineers in Jamaica to receive a formal audio education.
Since graduation, he has worked in Kingston, Jamaica as an audio engineer for Aquarius Recording and as a mastering engineer for Dynamics Sounds Recording Company. Some of his engineering credits include Soul Reggae by Beres Hammond and Badness No Pay by Leroy Smart, which was Jamaica's first-ever 45RPM record that spun at 33RPM so that two songs could fit on one side.
"I also had the pleasure of starting Steven Stanley's career. I asked my studio to hire a kid who I could train as a tape-op. Steven was hired right out of high school. I gave him a roll of blank 24-track tape to practice on and he used it to collect recordings of individual lines of various instruments from musicians when they were on break. He basically honed the music he collected this way into the hit that keeps on coming back, "Genius of Love." At least a half a dozen artists have versions of this. Most notably, Jekell and Hyde brought it to the top of the U.S. R&B charts a second time, and amazingly, after more than 20 years or so, Mariah Carey did her rendition on her Daydream album.
"It was a pleasure working with these guys. I have also worked with Inner Circle. We used to laugh at them back in 1976 when they said that they were going international one day and, 20 years later, not only was their "Bad Boys" single in your living room every night as the theme to the show COPS, but they also scored the most coveted #1 position on the U.S. charts with "Sweat.""
His closing thought: "I've always been proud to have attended IAR!"
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Keith Salandy BET Creative Services
 Keith graduated from IAR in January ’08. He is a songwriter and performer under the alter ego K Banger, dubbed from playing drums and percussion instruments, primarily in R&B, Reggae, and Calypso bands. Keith licenses his material to television networks through his own company The Dirt Department, Inc. In 2007, he competed in IARecords’ Next Level competition and his song “Hard Place” will be on the Next Level 4 Album released in the Spring of 2008. Professionally, Keith works as an audio post engineer, sound designer and voice-over talent for BET (Black Entertainment Television) Creative Services in New York. He has also done work for Sony, Sci Fi Channel, Stereo Motion Entertainment, and New Line Cinema. Keith decided to attend IAR to gain a solid foundation in audio engineering and production for his music and professional career, “IAR has given me more than just an education and experience. I now have more confidence in what I do more exposure as an artist, credits toward a degree, and most importantly, relationships with great industry and audio professionals that will last a lifetime.” K Banger’s motto is, “Don’t say it – play it. Master the art of starting small. It’s not who you know, it’s about what you’re doing! Do well and people want to get to know you. If you know people and you’re not doing anything, that doesn’t work.” Get more information on K Banger at myspace.com/KBangerMusic, and cdbaby.com/KBanger. Check out videos of his performances on youtube.com/StereoMotionTV and on BET.com/onblast.
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Gary "Bolo" Sargent Manager - Arista Records
 Gary graduated from IAR in May 2002, and now works at Arista Records in New York City. As manager of Mix Show Radio Promotions for the East and Midwest regions of the country, he keeps his finger on the pulse of today’s trends and styles in Pop, R&B and Urban music and promotes his label’s artists in those areas.
Gary’s on-the-job training started with the Virginia rap group The Clipse. Gary has also worked with such artists as Kelis, Red Café and emerging artists Lupe Fiasco and Natasha.
Gary ultimately wants to find his way into the business/management end of commercial radio. “Find your niche and stick with it,” he advises IAR students. “But until you do, play the field to find your strong points and then build on them.”
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Lauri Shaw Audio Writer
 They say the best opportunities are the ones you just fall into, and Lauri Shaw is no exception.
In 1999, Lauri decided to attend IAR, thinking that an audio engineering career would be a good way to get free studio time for her punk band Bete Noir. What actually happened was even better: Lauri wound up in Los Angeles as a PR manager and freelance writer working with some of the biggest names in the audio business. Her strategic writing services are grounded in the technical fundamentals she learned at IAR.
While attending IAR, she spent mornings interning at Cliff Hahn Sound and bartended at night. A chance encounter produced the big break of landing an assistant engineer position at Sorcerer Sound. From there, she moved on to Sound On Sound, where she worked with Whoopi Goldberg, Alicia Keys, Erykah Badu, Sean Paul and other artists with Arista, Def Jam and Universal Records.
Lauri continues to combine her interests in writing and music by maintaining relationships with audio professionals both in New York and L.A. That's not a bad place to be for someone who was just looking for a little free studio time.
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Lane Spigner Audial Bliss
 Lane Spigner graduated from IAR in February 2006, at which time he began an internship at Goldcrest Post Production Studio in New York. While at Goldcrest, Lane was able to make edits for various independent films, perform and record Foley for film and television, and learn all of the ins and outs of the daily studio routine. In May, he moved to Kingsize Music, which was in the process of putting together a pre-production library of music to be used in film and television for Sony/ATV. They were in need of editors for their cues, as well as someone to supervise and catalog all of their submissions for the library.
After interning for a short time at Kingsize, Lane accepted a position as Production Supervisor for the Sony/ATV Production Music Library. There, he is responsible for reviewing and approving composer submissions for the library, maintaining a relationship with the composers, cataloging and meta-tagging the cues for the library, and creating edits for each of the cues using ProTools . Lane has also started his own company, Audial Bliss, where he is able to submit music for various small films, including one that was just accepted for the Slamdance Film Festival in January 2007.
"I found that IAR gave me a broad scope of the live and studio work environment, and helped me to decide which path I needed to take. It also gave me a great reference for future opportunities by teaching me how to promote myself as a business, and that there are more ways than one to finding work in New York. I had to put myself out there, and not expect work to just come to me," he said.
His advice to current IAR students and grads is, "Don’t take anything for granted. Some opportunities don't reveal themselves immediately, so just be patient. Any work in this field is to be cherished. Another thing I have learned is to know when something isn't the right fit. Great advice from IAR staff in regards to an internship: if you aren't learning at least 50 percent of the time you are giving, it may be time to move on."
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Chris Theis Engineer
 Chris Theis graduated from IAR in 1989 and the school assisted him in setting up an interview at Quad Studio's in Times Square. After two weeks of interning he started assisting the engineer/producer Ben Wisch on a Marc Cohn’s album ‘Walkin’ in Memphis’ for Atlantic Records. “I worked closely with Ben on several records over the next 3 years and I basically lived at the studio. All the records were done on analog tape and Pro Tools was just starting to get used for basic editing and sequencing. I also spent a lot of time working with mixer/producer Michael Brauer at Quad.”
In 1993, Chris left Quad to become a staff engineer for the newly opened Sony Music Studios on the west side of NYC. “After about three years I was promoted to Senior Engineer, worked with just about everybody in the music business at Sony, and later started to move around to the Hit Factory, Sound On Sound, Chung King, Avatar etc.” Chris won two Grammy's while at Sony: Lauryn Hill’s ‘Miseducation’ and Santana's ‘Supernatural.’ Chris currently runs his own home studio Little Monster Musik and has worked with engineer/producer Henry Hirsch and artist Lenny Kravitz. He is also part-owner of Creative Audio, a company which provides original music for advertising, film & TV.
Chris has much to say about his education at IAR: “Basically IAR taught me everything I needed to know to get into the studio and make sessions run smoothly. Shortly after I graduated I was able to setup large sessions of all types - preproduction, band tracking, overdubs, mixing, etc.” His advice for current IAR students is: “Figure out what you are passionate about and find a way to work with the people doing what you want to do. Look for a mentor. Open your ears and listen. The more you interact with people, the more you'll learn, and if you keep learning you'll be ready for that unexpected opportunity.” For more information on Chris visit littlemonstermusik.com.
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Michael Tomaselli Musician and Producer
 Michael Tomaselli aka M’Ocean, graduated from IAR in May of 1997 and, shortly thereafter began producing his own music. His brother had just finished a full-length horror film titled ‘Desecration,’ and M’Ocean scored it. “The sound field consisted mainly of weird ambiance, horror-themed sound effects, and sinister scoring. The main score was heavily synth driven and provided an overall grim tone for the film. After receiving such positive feedback, I got involved in creating background music for cable television promos, and miscellaneous independent projects,” he explained. M’Ocean also started DJing techno and house music at clubs, parties and events, which influenced him to focus on producing underground dance music and experimenting with different types of sounds. M’Ocean is signed to and affiliated with several Internet based record labels overseas and produces original tracks and remixes for artists. He also studied graphic design and has worked in pharmaceutical and consumer advertising for the last 8 years, holding positions as Art Director, Studio Graphic Designer and Desktop Production Specialist. His graphic design experiences range from development and product design and launch strategies to advertising and corporate branding. He currently works for Aspen Marketing with corporate clients such as AT&T, JVC and Hertz. M’Ocean’s advice for IAR students is: “Follow your dreams and stay focused on what you really want out of life. I will continue on this journey for a very long time…” For more information about M’Ocean, visit myspace.com/moceanmusic.
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Pat Troccoli AV Technician
 Pat Troccoli's client list reads like a top-500 business list: Warner Brothers Records, Electronic Arts, Chase, Bear Stearns, and AT&T, all companies for which he does sound work for multi-million-dollar audiovisual and control systems. Not bad for someone who played guitar in high school bands --- before he was even in high school, at the age of 13.
After graduating from IAR in 1994, he worked for the school as a technical support assistant while completing his Associate's Degree in Computer Technology. Then he went to work for Wave, an audiovisual systems integration company in New Jersey. He started as a rack technician but quickly excelled into the lead technician role within a year and a half. After spending some time as lead technician, Pat was promoted to the Engineering Department, where he worked as an Auto CAD draftman.
Despite his technical achievements, Pat hasn't forgotten about composing and playing his own material. He still writes and plays regularly to keep his artistic side active.
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Yoram Vazan Engineer and Instructor
 Yoram is now halfway around the world in Israel, but he got his start locally supporting up-and-coming hip-hop artists.
After graduating IAR in the early 1980s, Yoram started his audio career by doing studio maintenance and installation. Soon enough, he was engineering in rooms he helped build. When Yoram got his own studio, Firehouse Recording, he used the opportunity to give early support to the then-underground hip-hop community. His clientele rapidly expanded and Yoram moved his studio from Brooklyn to Manhattan, where it continued to grow. He has worked with such clients as MC Lyte, Public Enemy, Da Bush Babees, and Gang Starr.
Yoram then decided to move to Israel, where he could continue to pursue his audio passion and share that passion with students as well.
"I teach twice a week at the Negev College and at a private audio school in Tel Aviv," Yoram explains. "The rest of the time, I stay busy with music projects. Things here are quite OK."
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Barbara Vlahides Engineer - Mission Sound Recording
 For Barbara, the path to success in music production and audio post production comes down to two things: reading and real-world experience. "Read, read, read," she emphasizes for aspiring producers. But the real world experience is what counts just as much. "Get into a situation as soon as possible," Barbara says. "It's where you really learn."
Barbara has put her own advice to good use. Currently engineering at Mission Sound Recording, the New York-based rock and pop production facility, she graduated from IAR in 2002 with interests in music production and audio post production.
At Mission Sound, Barbara has worked with Robbie Williams, Chris Barron, Tim O'Heir, Boots Ottestad, David Margolis, Greg Raposo, Ken Rich, David Sherman, Fil Izler, Stephen Trask, Steve Walsh, Jill Seiffers, and The World/Inferno Friendship Society.
Barbara spends a lot of time in the control room environment and has a list of favorite pieces of audio gear that "make her day." Her favorite? "It's too soon to say, but I really like the sound of the Universal Audio 2-610 tube mic pre's."
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Vonne Williams President - Joy Full Noiz
 Vonne found unexpected career aspirations at IAR and couldn't be happier with the way things turned out. A 1995 IAR grad, Vonne originally planned to be a producer but instead was inspired by live sound. Now the owner of a sound reinforcement company, Joy Full Noiz, Vonne has come a long way.
Vonne has worked with a wide variety of studios and clients. High-profile studios such as MTV, Wu-Tang Clan Studios, and Unique Recording Studios have requested her services. She has also worked with an acoustical measurement firm, Acoustilog, hip-hop legend Notorious B.I.G. and his Brooklyn crew, Junior M.A.F.I.A., as well as helping to set up Gospel Music Workshop of America, an annual convention that brings together gospel music from around the world.
Now Vonne is happy to take Mackie Mixers and Shure Microphones and make live sound rock the shows of her Joy Full Noiz clients. She also uses Epson LCD Projectors and other equipment in her multimedia presentations and event technology support.
Vonne's advice for IAR students: "Be open to all your possibilities. Don't put yourself into a box and think that that's all you can do. The sky is the limit."
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Ben Amanna DaMan Productions
 Ben Amanna graduated from IAR in August 2005. Through IAR's Career Services department, he secured a six-month internship at DaMan Productions, a Hip-Hop and R&B recording studio in midtown Manhattan. Within months, he was promoted to the position of a full-time engineer. Ben succeeded rapidly at DaMan by putting as much time and energy as he could into his work, and by watching and learning from the engineers and producers at the studio. One night, a client needed an engineer and none of the regulars were available, so Ben was asked to do the session. He impressed the studio with his performance, and that led to his promotion.
While at DaMan Productions, Ben has recorded and mixed for many artists including Uncle Murda on Roc-A-Fella Records, Maino on Atlantic Records, DJ Green Lantern from Hot97 Radio, and Boot Camp Clik. IAR helped Ben to build a solid technical foundation in audio recording and music production and to understand on-the-job skills that helped him build strong relationships with the studio's clients. Creating trust between the artist and engineer fosters a positive environment and propels a successful recording session. Also, Ben highly values the relationship he built with the faculty at IAR: "Besides the fact that IAR provided me with a vast amount of technical knowledge, the teachers were working engineers in the business and knew how to spark interest in a subject. Before I went to IAR, I really wasn't positive about what I wanted to do, career-wise. They helped me figure it out and pushed me forward." For more information on Ben, visit myspace.com/benamanna or contact him at benamanna33@gmail.com.
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Jonathan Avila Power 105.1 FM
 After graduating from IAR in March of 2005, Jonathan Avila, professionally known as "DJ Yonny," started as a promotional intern at the popular New York radio station Power 105.1 FM. As an intern, he promoted artists such as Fat Joe, Marcus Houston, Chris Brown and Mary J. Blige.
Now, Jonathan is the assistant producer for the popular morning radio show "Star and Buc Wild." He has also made an appearance on Egypt's show. Jonathan has also become interested in being a video jockey, with the encouragement of his co-workers at Power 105.1.
When Jonathan is not producing at the radio station, he pursues his first love: being a DJ. Jonathan started at the age of 11 and was influenced by Cash Money, DJ Red Alert and DJ Jazzy Jeff. Since then, he has DJ'd for the Black Eyed Peas and worked with other well-known DJ's and artists up and down the East Coast.
Jonathan chose to attend IAR because of the location, program, and experienced faculty. He says instructor Jake Ninan had the most impact on him, teaching digital technology in a way that was easy to understand.
While attending IAR in 2005, Jonathan became involved in the "Remix Live" events, "Producing Your Song" demos and IAR Open Houses, paving the way for other students to perform and participate in the school's events.
Jonathan's advice to IAR students is to be pro-active and learn from others. "This is your dream and passion. Take your own initiative to pursue your career goals. Once you start working somewhere, be inquisitive and most of all, network. Talk to people, ask questions, meet new people, and show interest in other areas. Don't limit yourself."
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Gabriel Barahona Broadcast Engineer - Ascent Media Network Services
 Gabriel Barahona graduated IAR in 1995 when his friend and fellow IAR graduate was working at Ascent Media and told him to check it out. Now Gabriel works there as a Broadcast Engineer and stresses the importance of keeping contact with IAR classmates. Ascent Media is the world’s largest provider of integrated global services for the creation, management and distribution of media content. They work with major film studios, independent producers, broadcast networks, cable channels, and advertising agencies. Basically, media content is sent from its source through fiber optic cables and routers to the end user’s television sets. Gabriel is in charge of installing and repairing fiber optic equipment and routers, working directly with Ascent Media customers to ensure that the content is being directed to the right sources, “So, for example, Reuters sends us a lot of financial NASDAQ information, which we decode and send out to WPIX, CNN, and whoever else wants it.” IAR provided Gabriel with the basic understanding of audio signals and functionality of electronic parts which is important in his position, “The technology is fascinating and, while it is complicated at first, it’s pretty simple once you figure it out. The work is really exciting because I get to see live-action feed before anyone else does.”
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Thom Berkley EastSide Sound
 Thom Berkley graduated from IAR on April 1st, 2005. He has been working at Eastside Sound recording studio in New York City for two years and eventually was promoted to studio engineer. Thom is responsible for everything from setup to the final product. Using Pro Tools, he records and mixes sessions at Eastside Sound. He has worked on projects ranging from Les Paul's latest tribute album ‘Les Paul and Friends-American Made World Played: 69 Freedom Special’ and Les Paul’s ‘Caravan’, which both won Grammy Awards. The Les Paul album includes artists like Sting, Eric Clapton, Jeff Beck, Joss Stone, Peter Frampton and Keith Richards. Thom has also worked with jazz legends Lee Konitz and Randy Weston and hip-hop acts such as Saigon and Tony Sunshine. Thom also does freelance live sound and production.
Regarding his education at IAR and advice for students, Thom states, “IAR exposes you to ideas and equipment that you'll end up being around in the real world, such as Pro Tools, signal processing and proper mixing environments. It helped me understand the equipment as well as the recording and mixing fundamentals I was around when I was assisting. Get started early and take it seriously. I was interning before I even started at IAR. If you're not willing to pay your dues, you don't really want it. IAR is necessary preparation, but of course, nothing compares to real experience. Stay focused and devoted. As long as you really want it you'll get somewhere.”
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Alex Bess Def Jam Records
 Alex, a 2002 graduate of IAR, works at Def Jam Records doing in-house editing, TV tracks, light recording and syncing commercials. He came to Def Jam from Arista Records, where he worked in the A&R department for Radio and Television Promotions. At Arista, he had worked for Antonio "L.A." Reid. After Arista closed, L.A. asked Alex to come with him to Def Jam and, as Alex says, "the rest is history."
Alex has worked with such artists as Da Brat, Bone Crusher, Anthony Hamilton as well as Natasha and Lupe Fiasco.
Alex's favorite pieces of production gear are the Pro Tools Digidesign 002, U-87 mic, dBx 38x, and AW Sub Speakers.
Alex says a broad base of experience is the key to success. He advises current IAR students: "Don't limit yourself to just one platform. Do as much as you can in as many areas of the music industry as you can."
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Sean Carolan Project 35 Film Productions
 Sean Carolan graduated from IAR in February 2007 and became the Program Director for the school's radio station, IARadio, where he created content and helped to implement new student radio shows. He soon accepted a position at Project 35 Film Productions as a digital video editor. Project 35 is a video production company specializing in professional videos for models, actors, and their agencies. Some of their clients include Ford Models Inc., Race Model Mgmt., and Major Model Management. Sean receives 5 minutes of raw video footage from the shoots and creates a 20- to 30-second video piece fitting client specifications. Some projects require voice-overs or dialogue, which need to be synchronized with the video. One of Sean's original music compositions, or other music, is added to complete the project, which is then sent for client approval. In addition to editing videos, Sean occasionally shoots them himself.
The array of skills Sean uses professionally at Project 35 began while attending IAR. His favorite class was the post production lab with instructor Lyell Loyd, which introduces students to the production of an audio soundtrack synched to video, "This was something I had no experience with, and yet I eventually got an internship and then landed a job. There is something very challenging and rewarding from creating sounds or scoring a clip." Another lesson he learned at IAR, in classes such as The Business of Music and Industry Practicum, is that the music industry is a real business and must be taken seriously. His advice: "Do it! Learn it! Work it! Don't take anything you learn for granted; it will become useful someday."
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Jeff Crews Studio Engineer - House of Hits
 "I thought I knew engineering before I started at IAR, but my understanding of what it really takes didn't happen until I studied here," says Jeff Crews, who graduated from IAR in 1992. Now he brings IAR students into his studio assignments whenever possible. "I don't have to worry about their knowledge as I would with graduates from the other New York schools, so I'll always pick an IAR grad over anyone else."
Jeff also credits teacher Ron Ajemian ("he went the extra mile, working with me until I got it") and Graduate Placement Director Reldalee Wagner ("she was invaluable in getting me on my career path"). He enjoys hiring and mentoring IAR grads as a way to pay back these IAR teachers and others that have helped him along the way.
After attending IAR, Jeff started engineering at Variety Recording, the only Latin music studio in NYC at the time, then moved to House of Hits. He has also worked at many well-known studios as an engineer and studio manager. His projects with DLG, Will Downing and Frankie Negron were nominated for Grammy awards.
Jeff's recent discography includes work for Sony/EMI, Ralston Hill, Capitol Records, Narada Records, Motown Records, W.E.A. International, Universal and RCA in genres that include Latin, R&B, Hip Hop, rock and jazz. He is currently working on a project with the legendary jazz saxophonist Ornette Coleman.
His advice to IAR students: "Know your skills, show up on time with the right attitude, and people will come along to help you achieve success."
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Joe Demby Chung King Studios
 2003 IAR graduate Joe "Moose" Demby is currently putting his audio skills to work at New York's famous Chung King Studios, where he is in charge of operations, staff bookings, billing, client relations, and studio expansion. "I sell time, which means I communicate with independent and major record labels, managers, and artists wanting to use the studio. I also coordinate with the head technician, decide which assistant engineer gets to be on a session, what plug-ins to purchase for our rigs, and ultimately which artist works in which room," he said.
He described how he worked his way up the ladder: "After about three months of scrubbing floors and getting coffee, I began to assist on sessions and help with office work. After six months, I had earned a paid position involving the billing and invoicing of labels. I continued to work in the office while helping the owner build out studios for about six months, until the studio manager left the company, at which time I was promoted into the position because I showed my superiors that I was indispensable."
When he's not at the studio, Joe also DJs at weddings, private functions, parties, and clubs, and he has produced music for film, television, theatre, dance, and documentaries. He just finished an album to be released later this year on Raptivism Records, entitled Protest in Disguise, for a spoken-word artist from New Orleans.
"IAR opened my eyes and ears to the many different frequencies we hear, or do not hear, every day. Both a blessing and a curse, it has made me so much more aware when listening to music; I appreciate how much more is going on than just sight and sound. Without the knowledge I gained at IAR, I would never be able to converse with world-class engineers and understand what they're referring to, whether it's a microphone pre-amp or standing waves occurring in a room."
When asked what advice he has for current IAR students, he replied, "Stay after class and spend extra time with the instructors. You're paying for an education, and the instructors at IAR are experienced in real-world audio. They will have extremely relevant information for you to learn. Create a relationship with the staff and fellow students, because you never know when you may need them, or they you, in the future. Start to get an idea of what you want to do, and ask around to see how you can make it happen."
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Jenna Emens NYCTV
 Jenna Emens graduated from IAR in 1996, and she has been working in the industry ever since. Jenna began her career at Unique Recording, where she worked as an audio tech for two years before moving into mixing bands. From there, she decided to get into post-production and went on to work at East Side Audio as a technician and editor for two years, Howling Trout and Steel Rose for three years, as well as Hothead and SoundHound, all located in New York.
Currently, Jenna is at NYCTV and has been nominated for a New York Emmy in sound design for her work on the show Secrets of New York. Her responsibilities at the station include sound design and mixing for fourteen different thirty-minute television shows, and she is also the announcer on most of NYCTV's commercials.
"When the companies I applied for saw that I went to the Institute of Audio Research, they were impressed. They know that IAR is the real deal! They trusted that, with an IAR certificate, I was qualified to start at an entry-level position. It has helped my career tremendously, and I am proud to say I went to IAR."
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Diego Garrido Sound Box Productions
 Diego was a musician who decided to enroll in IAR so he could understand what recording studios were doing with his music - and do it better himself. Now a successful engineer and sound designer who creates soundtracks for TV and movies, Diego combines his musical abilities with the technical knowledge he got at IAR.
The owner of his own studio, Sound Box Productions, Diego combines his bass and guitar playing with samples, MIDI, and analog synthesizers to create soundtracks for well-known shows. He's worked on "The Simpsons," "Dilbert," "Futurama," School of Rock, The Squid and the Whale, and many more. Five of his songs for MTV's "Laguna Beach" and "Real World: Philadelphia" are now on iTunes.
Diego graduated IAR in 1990 and got one of his first engineering jobs at Chung King Studios, where he worked in the early days of hip-hop with some of its biggest names, including Biohazard, Onyx, The Ramones, and Nas. He tells IAR students they can succeed if they stay in audio for the right reasons: "Make sure you really love what you're doing."
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Kevin Griffin Integrated Studios
 Kevin is one of those people who likes to know everything. “Every job in the studio is important,” he advises aspiring engineers. This approach seems to work: Diddy, Mary J. Blige, Foxy Brown, and LL Cool J are just some of the clients that value both his technical skills and his personal attention.
Kevin works his magic at Integrated Studios using Pro Tools HD, Manley tube processors, Focusrite, API and UREI, in addition to video editor Final Cut Pro.
Kevin can't emphasize enough how important a broad base of knowledge is. “Learn to multitask and know your signal flow,” he says. “From fixing cables to the final mix, it's all important. Learn everything.”
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Dan Hirschl WCBS-FM
 I was actually the last person to press the button for CBS – the oldies,” says Dan, the supervising engineer at WCBS-FM, now known as JACK-FM. Dan also gets to take care of the operation of the machinery, troubleshoot problems, go out and do remotes and supervise the union engineers.
Dan has been working with Infinity Broadcasting, which owns WCBS-FM, since before he started at IAR. He was an engineer for K-Rock, where he did remotes and worked on “Best of Stern” for the Howard Stern show, “Ozzfest” and other shows.
Dan came to IAR because “I like blinking lights and wires” and because he liked the school’s program: IAR instructors explained what was happening when he pressed a switch or made a cable, and why it was happening.
After graduating IAR in 2002, Dan soon landed a full-time engineering position with Radio Engineering Services, a company that contracts out engineers to service many stations in the Hudson Valley and farther north. The experience was what Dan needed to land his current high-responsibility engineering position with Infinity.
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Hardi Kamsani Engineer - Effanel Recording
 Hardi Kamsani graduated from IAR in 1997 and is now an Engineer at XM Satellite Radio’s Effanel Recording. Hardi assists the Mix Engineer in what they call the ‘remote truck’ for many XM Satellite Radio live events. The remote truck is a complete mobile digital studio. He is responsible for a range of tasks, including writing configurations on the digital console, making track assignments, and handling the signal leaving the remote truck to the production truck. “The entire signal path is digital, from the stage to our hard disc recorders and console. No buzzes, just pristine audio.” Hardi has worked on events and concerts such as the MTV Video Music Awards, the Grammys, the Dave Matthews Band in Central Park, and Phish concerts in Brooklyn, NY and Vermont, which were simulcast to movie theaters around the country. He particularly enjoys the environment and excitement of live sound. “Every performance is different. Every stadium, arena, concert hall and other venue has its own flavor. During a live award show, imagine having to turn bands around and finish a line check—during a commercial!” Prior to IAR and XM, Hardi worked as a monitor and systems technician in Singapore, China, but wanted to work in the U.S. After considering moving to Miami and California, he decided IAR and New York City was the best choice. His advice for current students is: “Be realistic and aware of the possibilities. There’s a lot out there besides mixing. Learn everything you can so you can eventually focus on what you decide is best for you. And sleep while you can because that becomes a luxury!”
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Mee Lee Engineer
 Since graduating in August 2004, Mee Lee has been engineering at both Integrated Studios and Broken for Good Records in New York. She has also started her own freelance engineering company. Some of the major projects that she has worked on include assistant engineering on Majestic 12's For Majic Eyes Only [2006 SMD BATB/SONY BMG] with renowned engineer and producer Carlos Bess, and engineering on 2Pac's Pac's Life [2006 Amaru Entertainment/Interscope Records].
Until September 2006, Mee Lee was an in-house audio engineer for Integrated Studios, a commercial recording studio in downtown Tribeca. She started out as an intern there and, within months, was engineering for major clients including G-Unit and Lauryn Hill. While she was at Integrated, the studio teamed with Walters-Storyk Design Group and Professional Audio Design and underwent a major renovation, the end product of which was featured on the July 2006 cover of Mix Magazine. Mee was also an engineer for indie label Broken for Good Records, where she ran live sound for concerts and engineered on projects for label artists including Jinny Kim's Finding Ophelia. Currently, she continues to freelance for both Integrated and Broken for Good Records while also concentrating on working with indie artists and developing her own company.
"Before attending IAR, I had no prior knowledge of sound or the audio industry. IAR has definitely provided a basic foundation of information that I've utilized in all of my sessions, from basic studio etiquette to engineering sessions on an SSL mixing console," she said.
Her advice to current IAR students and grads is to, "Have a good attitude. There's always something to learn. Be prepared for anything. Know your signal flow. Always start with the obvious. Sleep is a luxury. Trust your ears."
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Gavilán Longino Snapshot Sound
 Gavilán is one of a number of IAR grads to pursue the entrepreneurial route. In the fall of 2004, he started his own studio, Snapshot Sound, located on Manhattan's Upper East Side. He's hoping Snapshot Sound will help low-budget artists break the ice by providing facilities a notch above those at other entry-level studios.
Before starting Snapshot Sound, the 2002 graduate became an engineer at Star Trax Production in midtown Manhattan. There, Gavilán did voiceover and narration-to-picture for different TV stations. He has worked on projects for "Animal Planet" and the TNT cable channel as well as with celebrity actors like Steve Irwin, better known as the Crocodile Hunter, and Angela Bassett.
Gavilán works with Pro Tools, Reason synthesizer software, and a Yamaha automated mixing console as well as many other hardware and software applications. Using this technology, he records his own material and demos for clients.
In 2003, IAR submitted Gavilán's mix of "Stronger Than Any Love" for the Pop/Rock Recording entry of the Audio Engineering Society Student Recording Competition. The track is now featured on the IAR Web site.
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Sergio Michel Artist, Engineer, Producer
 Sergio Michel graduated IAR in 2001 and has stayed active in music and the industry. Sergio has a wide variety of experiences as a songwriter and musician and engineer including touring, recording, mastering, and management. He is constantly recording and performing music and is endorsed by Dean Markley Strings and CAD microphones. He started an independent engineering and post production company and is an avid public speaker. Sergio is very interested in modulation, frequency anomalies, tone, and the science behind sound. The education IAR provided Sergio provided him with the tools to help answer his questions, “Whether it’s plugging in a guitar pedal to microphone placement, knowing what each instrument does and the different parts, or how certain materials react to each other, makes a huge difference in the outcome of your work. Studying at IAR, helped me understand why such things were, and how to benefit from them.” Sergio also enjoyed IAR’s classes covering frequencies, microphone dynamics, and wiring because they went into depth with equations, procedures, and techniques to explain why they were useful. His advice for students: “Study hard. Keep yourself out of trouble, and work fairly towards your goal. You'll get there.” For more information on tour dates and music by Sergio Michel visit sergiomichel.net.
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Jeffrey Musillo Writer & Freelancer
 Jeffrey Musillo graduated IAR in May 2004 and shortly after began working at Nickelodeon and was hired as a Production Assistant (P.A.) on the television show U-Pick Live. Jeff worked closely with the music producer until the show ended in June 2005. He used the connections he made while at Nickelodeon to work as a freelance P.A for television shows including Teen Nick with actors Nick Cannon and Lindsay Lohan. In August 2005, Jeff was hired by FUSE TV to work with its production management team setting up filming and controlling audio and visual equipment. He wrote two episodes for a show called Hip-Hop Confidential which helped him understand proper word placement and usage to make the show flow.
Outside of his career life, Jeff started writing his first book and later left FUSE TV to pursue writing full-time while freelancing for the Discovery Channel, the Comedy Central pilot The Greg Geraldo Show, working as an Assistant Engineer at the Manhattan studio Hobo Audio, and as the Music Producer for Nickelodeon’s ME: TV. In 2007 Jeff published the first volume of his three-part non-fiction book America’s Forgotten Children under his pen name MuZ. He plans to complete the final two volumes and release all three as a single book soon and has started his first fiction work as well.
Jeff’s active music and literary careers continue to grow and he states, “IAR was really the foundation. Without the schooling and the connections that came from the school, I would have never had the chance to break into the industry. Listen to the teachers because they are active in the industry. Everybody in the New York audio and television world has heard of IAR, and understands the caliber of | |
